Some stories don't fit in sentences.

Long before the stages and the microphones, there were notebooks and a camera. This is the quieter side of my storytelling — the poems I wrote to survive certain years, and the images I made while learning to see beauty again.

Words from the notebooks.

Inventory

They will ask what you lost
and you will have a list.

Nobody asks what you kept:
the stubborn lung-full of morning,
the hand that still reaches,
the small animal of hope
you swore you'd stopped feeding
that kept sleeping at your door anyway.

Count that too.
Count that first.
— Kate Vollmer

The Body Remembers Flight

Once, I threw myself at the sky
four inches of beam beneath me
and called it standing still.

Now some days the floor is the beam
and crossing the kitchen
is its own dismount.

But the body remembers flight —
not in the muscle,
in the nerve that says
you have left the ground before.
You know how this is done.

You lean toward the empty air
and trust it.
— Kate Vollmer

Compound

Grief came like weather that year,
one front stacked behind another,
no sky between the storms.

I learned you cannot bail that water
one loss at a time.
You learn to float in it.
You learn the others floating near you
are not debris
but rafts.

Reach.
That's the whole instruction.
Reach.
— Kate Vollmer

Never Too Late

Whoever told you the door was closed
had never met the door,
had never stood where you stand now,
hand full of keys you cut yourself
from every hard year.

The house of your life is not finished.
It is not even quiet.
Somewhere in it, a room
you have never entered
is waiting with the lights on —

late, yes. Later than you wanted.

But look: still lit.
— Kate Vollmer
I wrote to survive it. I photograph to remember that I did.
On making things

Learning to see again.

During recovery, a camera gave me a reason to leave the house and a way to practice noticing. When your world gets small, you start finding the enormous things inside it — a bee mid-flight, the architecture of a single flower, a canal that keeps living whether or not you're up for it. Every photograph here is mine, and every one of them is a day I chose to go outside.

A monarch butterfly resting on purple duranta blossoms beside the Venice canals
Monarch, Venice Canals — the day I stopped and it didn't leave
Extreme macro of a pink hibiscus stamen column with yellow pollen and red stigmas
Anatomy of a Hibiscus
A honeybee hovering in mid-air beside purple statice blossoms
Approach
A honeybee working among purple statice and small white flowers
The Work
A small orange skipper butterfly on a cluster of yellow and orange lantana
Skipper on Lantana
A dusky pink bromeliad bud with red flowers just beginning to push through
Just Before — red, getting out anyway
A white and lavender fortnight lily with yellow markings, backlit by sun
Fortnight Lily
A white hibiscus in sunlight with a long pink stamen column and crimson stigmas
White Hibiscus, Full Sun
White spoon-petal osteospermum daisies with violet centers against green foliage
Spoon Daisies
Red and orange milkweed flowers among tall green grass
Milkweed — where the monarchs start
Bright yellow broom flowers on a green stem against a warm blurred field
Yellow, Everywhere at Once
A weathered rowboat named Sealed With A Kiss moored on a canal
Sealed With a Kiss
Three mallard ducks stretching their wings on rippling sunlit water
Canal Regulars

Prints and more from the archive are on the way — ask me if something here speaks to you.

Words and images, live.

Kate weaves her poetry and photography into her talks and retreats — storytelling you can see and feel, not just hear.

Bring Kate's Story to Your Stage