Long before the stages and the microphones, there were notebooks and a camera. This is the quieter side of my storytelling — the poems I wrote to survive certain years, and the images I made while learning to see beauty again.
They will ask what you lost and you will have a list. Nobody asks what you kept: the stubborn lung-full of morning, the hand that still reaches, the small animal of hope you swore you'd stopped feeding that kept sleeping at your door anyway. Count that too. Count that first.
Once, I threw myself at the sky four inches of beam beneath me and called it standing still. Now some days the floor is the beam and crossing the kitchen is its own dismount. But the body remembers flight — not in the muscle, in the nerve that says you have left the ground before. You know how this is done. You lean toward the empty air and trust it.
Grief came like weather that year, one front stacked behind another, no sky between the storms. I learned you cannot bail that water one loss at a time. You learn to float in it. You learn the others floating near you are not debris but rafts. Reach. That's the whole instruction. Reach.
Whoever told you the door was closed had never met the door, had never stood where you stand now, hand full of keys you cut yourself from every hard year. The house of your life is not finished. It is not even quiet. Somewhere in it, a room you have never entered is waiting with the lights on — late, yes. Later than you wanted. But look: still lit.
I wrote to survive it. I photograph to remember that I did.On making things
During recovery, a camera gave me a reason to leave the house and a way to practice noticing. When your world gets small, you start finding the enormous things inside it — a bee mid-flight, the architecture of a single flower, a canal that keeps living whether or not you're up for it. Every photograph here is mine, and every one of them is a day I chose to go outside.
Prints and more from the archive are on the way — ask me if something here speaks to you.
Kate weaves her poetry and photography into her talks and retreats — storytelling you can see and feel, not just hear.
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